This installment in The New York Times Presents: series has forced a cultural reckoning about the nature of how we, as a society, treat famous women and the influence of the nasty gossip-driven tabloid culture of the '00s. Where to watch: Apple TV+ ( Watch the trailer.) Showtime A touch of fear hangs over The World's a Little Blurry, the notion that it could all go wrong very quickly, but it's also a look at someone who almost has no choice but to be a star. Even as she's reaching new peaks, she's dealing with typical teenage stuff, including a shitty boyfriend who refuses to come see her following her major Coachella performance. She throws a Louis Vuitton sweatsuit in the backyard washing machine of her childhood home where she still lives with her tight-knit family her dad gives her a kind-hearted, almost spiritual lecture about responsibility before she takes her car out for the first time by herself after getting her license. Cutler buoys the narrative with concert footage and clips of the songwriting process that showcase Eilish's natural talent, but the most astounding moments are the ones when he captures her as a teenager caught in a maelstrom. It's instead a deep portrait of a truly unusual current icon encountering a truly unusual type of fame. The World's a Little Blurry is not the hagiography one expects as a film made with the full participation of the pop star that inspired it. Where to watch: Disney+ ( Watch the trailer.) Apple TV+īillie Eilish: The World's a Little Blurry Fundamentally, it's a movie about riffing: musically, comedically, professionally, romantically, and socially. The lads, reeling from the loss of their manager Brian Epstein and struggling with their own individual musical ambitions, argued and fought and exchanged icy stares across the recording studio. But they also sang in silly voices and teased each other in the way friends often do. John, Paul, George, and Ringo had their issues and disagreements, which Jackson and his team chronicle in exacting detail and at the great length you'd expect from the director of the Lord of the Rings trilogy and The Hobbit prequels. Despite the status of the band and the pressure they were under at the time of the recording-the film is cut from hours of from-the-vault footage during the three weeks in 1969 The Beatles wrote Let It Be-the movie has a playful, mischievous quality that's reflected in the ways the members interact with each other. ![]() Peter Jackson's epic rock documentary, running at 468 minutes across three parts, The Beatles: Get Back is a collection of small, intimate moments of collaboration. ![]() Where to watch: HBO Max ( Watch the trailer.) Disney+ĭirector: Peter Jackson ( Lord of the Rings trilogy) With key interviews from Mia, Dylan, Mia's daughter who accused Allen of molesting her as a young girl, and Ronan Farrow, the series has been criticized for leaving out details to simplify the long, complicated story, but hearing about all the trauma endured by Mia and Dylan, specifically, and how Allen was able to leverage his fame to divert attention away from negative headlines results in a harrowing, frustrating, yet essential watch. As one of the most publicized and messy Hollywood sagas, reopening the wounds from Allen and Mia Farrow's relationship would not be a simple task with clear-cut answers. It's no surprise that this four-part HBO Max documentary, covering the minefield of sexual assault allegations against Woody Allen, as well as dissecting the disturbing recurring themes in the filmmaker's body of work, was practically immediately controversial. ![]() ![]() Director: Kirby Dick and Amy Ziering ( On the Record)
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